i won't redoではありますが、オウム真理教幹部一族郎党含めゴミ処刑つうことで。が、所謂、前期オウム事件の実行犯はウッチャンナンチャン系の連中。で、国松長官狙撃事件の実行犯は、国松さんに失礼な気もしますが、アイツ、名前調べないのでわからないけど、自然悪な顔をした、人肉クリームシチュー(だっけ？コンビ名)の有田じゃない方。当然、この、おれが書いた文章中の国松さん以外の、ゴミは全員処刑。ああ、国松さんだけじゃないですね、いいや、笑えますか？オトシマエは必ずつけます。この世界の運命を決めるものとして(おれの祖父にも銃創はありました)。12月 29, 2018
"19 たった一度のLOVE SONG (1984.03.30 BEAT EMOTION LOFT ２DAYS～すべてはけじめをつけてから～)"
"20 LETS THINK"
"21 LET'S THINK (1982.10.09 新宿LOFT'BEAT120%')"
"22 NO PAIN (1981.04.11 新宿LOFT)"
"23 YOU GATTA YOU (1982.08.08 新宿LOFT)"
"24 SAD SUNSET(I DON'T WANNA FADE AWAY)"
"25 SAD SUNSET(I DON'T WANNA FADE AWAY) (1982.08.08 新宿LOFT)"
"26 MIDNIGHT RUNNERS"
"27 MIDNIGHT RUNNERS (1981.04.11 新宿LOFT)"
"28 MARIONETTE (1982.10.09 新宿LOFT'BEAT120%')"
"29 GUERRILLA & ON MY BEAT (1982.10.09 新宿LOFT'BEAT120%')"
"30 ロックンロール"
"31 BEGINNING FROM ENDLESS"
"32 DAKARA PART II 1984.09.29 "BEAT EMOTION TOUR" 渋谷LIVE INN)"
"33 DAKARA (1982.08.23 渋谷TAKE OFF 7)"
de.
AI-generated summary
"Hyakka Sōmei" (百家争鳴) refers to a situation where many intellectuals and cultural figures freely express their respective ideologies and academic opinions, engaging in lively debate. It originates from the active debates among the Hundred Schools of Thought during the Warring States period of ancient China, and in modern times, it is often used to describe situations in meetings and discussions where diverse opinions are exchanged.
Information, Knowledge & Opinion imidas +3
AI-generated summary
"Hyakka Sōmei" (百家争鳴) refers to a situation where many intellectuals and cultural figures freely express their respective ideologies and academic opinions, engaging in lively debate. It originates from the active debates among the Hundred Schools of Thought during the Warring States period of ancient China, and is now commonly used to describe situations in modern meetings and discussions where diverse opinions are exchanged.
Information, Knowledge & Opinion imidas +3
Main Characteristics & Meaning
・Reading: Hyakka Sōmei
・Meaning: A situation where people from diverse backgrounds actively present their arguments and engage in debate.
・Origin: From the situation in ancient China's Warring States period where many thinkers, such as Confucianists and Taoists, engaged in free debate.
・Background: Also known as a policy slogan proposed by the Chinese Communist Party in 1956, along with "Hyakka Seihō" (百花斉放), aimed at the development of culture and scholarship.
Oggi.jp +4
Usage Examples of Hyakka Sōmei (百家争鳴):
1. The discussion on the nuclear power issue was truly like a Hyakka Sōmei.
2. On this topic, a Hyakka Sōmei debate unfolded among the experts.
3. At the new product idea meeting, there was a lively exchange of opinions from both the sales and development departments, truly like a Hyakka Sōmei.
Information, Knowledge & Opinion imidas
Synonyms of Hyakuka Sōmei
・Hyakka Seihō (百花斉放): The simultaneous blooming of many different flowers. By extension, the free development of arts and scholarship.
・Hyakka Meisō (百家鳴争): Sometimes used with the same meaning as Sōmei (争鳴).
・Ronsō (論争): The act of arguing and debating by exchanging opinions.
Information, Knowledge & Opinion imidas +2
※ "Hyakka Ryōran" (百花繚乱) refers to the emergence of many outstanding talents at one time, and has a slightly different nuance from "Hyakka Sōmei" (百家争鳴), which describes a lively debate.
In any case, ④before that, ①Mao Zedong⑨launched⑦a large-scale movement called "百家争鳴" ⑥to get hints on what the new policy should be. It was carried out ⑧under government leadership. Amidst repeated calls of the couplet "百花斉放" and "百家争鳴," the movementreached as far asHohhot in the frontier region whereTsebekma-san and otherslived.
AI Overview
Parallel processing is a technique that divides one large task into multiple smaller tasks and executes them physically simultaneously using multiple processing units (such as CPU cores). This significantly reduces processing time and achieves high speed.
IT Terminology Dictionary e-Words +3
Specific Examples and Characteristics
・Distributed Data Processing: 1 million data points are processed simultaneously by 10 cores, 100,000 at a time.
・Applications: Searching large databases, SQL processing, image/video processing, simulation.
・Benefits: Significantly reduced processing time, improved throughput.
・Concurrent Processing: Rapidly switching between tasks on a single CPU to appear logically simultaneous (parallel processing is physically simultaneous).
・Multitasking: A technique for managing multiple tasks by switching between them.
・Distributed Processing: Processing tasks using multiple computers (nodes).
BOD Co., Ltd. +2
Unlike serial processing (sequential processing), this is a highly effective speed-up technology when processing independence is high.
Saison Technology Co., Ltd. +1
Related Question
What does "TSUIKU" mean?
In poetry and prose, it is a literary technique that involves arranging two (or more) contrasting or similar phrases or sentences.
↓グーグル翻訳による直訳↓ Literal translation by Google Translate
* Expiration date, expiration date, reflection of buildings, direction of sunlight, length of shadow, weather of the day, guests, etc. Until August of next year, they will shoot. It seems that there is a buildup. 2022112416:11 (Japan time).
※Regardless of whether you believe my words or not, the existence of people who are good at verification is common in all countries (laughs). From now on, you can think of me as a (b・lol)liar. 2022112416:17(日本時間)。
*The same hairstyle and figure for a long time. The hairstyle changes during the live broadcast. 2022112416:39 (Japan time).
"この一連の逮捕ですが、福岡の市民に理解され共感を得ていると思いますか。同乗している朝日新聞の記者が、チェ・ヒョイルにそう聞いてきた。何という愚問だとチェ・ヒョイルは思った。こいつは侵略や武力制圧を何だと考えているのだろうか。平和使節団や人道奉仕団体と間違えているのではないのか。支配する者は、被支配者に理解されるとか共感を持ってもらうとかいっさい考えない。考えるのはもっとも効率的な支配の方法だけだ。生存を許したほうが効率的だったら生かしておくし、殲滅したほうが効率的だったら皆殺しにする。" from 半島を出よ (上) 493ページ。
Come to think of it, recently, I think the American World Championships in Athletics was broadcast live from morning to noon in Japan. I don't know this very well, so just in case. 2022112417:51 (Japan time).
This is one of the films featured on the website “Film IS a Document: NFAJ Historic Film Portal” (a joint project of the National Film Archive of Japan and the National Institute of Informatics) which streams a selection of titles from the NFAJ film collection with initial focus on cultural and documentary films.
Senka no Sainan (1928)
Produced by Motion Picture Deparment of Hayashi Trading.
9 minutes, b/w, silent.
The second edition of this site presents 40 titles covering the years from 1913 to 1941. With main focus on the works in late 1920s and early 1930s, the selection reflects the growing militarism while portraying matured popular culture. NFAJ plans to keep adding new titles to the site regularly. Please visit the site at https://filmisadocument.jp.
This is one of the films featured on the website “Film IS a Document: NFAJ Historic Film Portal” (a joint project of the National Film Archive of Japan and the National Institute of Informatics) which streams a selection of titles from the NFAJ film collection with initial focus on cultural and documentary films.
Produced by Hygiene Section, Police Department, Fukuoka Prefecture.
21 minutes, b/w, silent.
The second edition of this site presents 40 titles covering the years from 1913 to 1941. With main focus on the works in late 1920s and early 1930s, the selection reflects the growing militarism while portraying matured popular culture. NFAJ plans to keep adding new titles to the site regularly. Please visit the site at https://filmisadocument.jp.
This is one of the films featured on the website “Film IS a Document: NFAJ Historic Film Portal” (a joint project of the National Film Archive of Japan and the National Institute of Informatics) which streams a selection of titles from the NFAJ film collection with initial focus on cultural and documentary films.
Kagayakashiki gaisen (1932)
Produced by Heasquarters of Naval Shanghai Expeditionary Force.
12 minutes, b/w, silent.
The second edition of this site presents 40 titles covering the years from 1913 to 1941. With main focus on the works in late 1920s and early 1930s, the selection reflects the growing militarism while portraying matured popular culture. NFAJ plans to keep adding new titles to the site regularly. Please visit the site at https://filmisadocument.jp.
"【全篇】『明治神宮 奉納神事舞』1931年｜「フィルムは記録する」より ‘Film IS a Document NFAJ Historic Film Portal’"
This is one of the films featured on the website “Film IS a Document: NFAJ Historic Film Portal” (a joint project of the National Film Archive of Japan and the National Institute of Informatics) which streams a selection of titles from the NFAJ film collection with initial focus on cultural and documentary films.
Meiji Jingu hono shinjimai (1931)
Produced by Ministry of Education.
21 minutes, b/w, silent.
The second edition of this site presents 40 titles covering the years from 1913 to 1941. With main focus on the works in late 1920s and early 1930s, the selection reflects the growing militarism while portraying matured popular culture. NFAJ plans to keep adding new titles to the site regularly. Please visit the site at https://filmisadocument.jp.
"【全篇】『徒手各個教練 大正十二年一月』1923年｜「フィルムは記録する」より ‘Film IS a Document NFAJ Historic Film Portal’"
This is one of the films featured on the website “Film IS a Document: NFAJ Historic Film Portal” (a joint project of the National Film Archive of Japan and the National Institute of Informatics) which streams a selection of titles from the NFAJ film collection with initial focus on cultural and documentary films.
The second edition of this site presents 40 titles covering the years from 1913 to 1941. With main focus on the works in late 1920s and early 1930s, the selection reflects the growing militarism while portraying matured popular culture. NFAJ plans to keep adding new titles to the site regularly. Please visit the site at https://filmisadocument.jp.
"【全篇】『平射歩兵演習』1923年｜「フィルムは記録する」より ‘Film IS a Document NFAJ Historic Film Portal"
This is one of the films featured on the website “Film IS a Document: NFAJ Historic Film Portal” (a joint project of the National Film Archive of Japan and the National Institute of Informatics) which streams a selection of titles from the NFAJ film collection with initial focus on cultural and documentary films.
Heisha hohei enshu (1923)
Productions unidentified.
13 minutes, b/w, silent.
The second edition of this site presents 40 titles covering the years from 1913 to 1941. With main focus on the works in late 1920s and early 1930s, the selection reflects the growing militarism while portraying matured popular culture. NFAJ plans to keep adding new titles to the site regularly. Please visit the site at https://filmisadocument.jp.
This is one of the films featured on the website “Film IS a Document: NFAJ Historic Film Portal” (a joint project of the National Film Archive of Japan and the National Institute of Informatics) which streams a selection of titles from the NFAJ film collection with initial focus on cultural and documentary films.
The second edition of this site presents 40 titles covering the years from 1913 to 1941. With main focus on the works in late 1920s and early 1930s, the selection reflects the growing militarism while portraying matured popular culture. NFAJ plans to keep adding new titles to the site regularly. Please visit the site at https://filmisadocument.jp.
"29 FUCK OFF～LONDON GAME (1983.04.30 新宿LOFT AFROCKABILLY)"
de.
[※日本では漢文を読むとき読み下し文という伝統が]
AI-generated summary
Yomikudashi-bun (読読文) refers to a type of Japanese text ("kundoku-bun") that is written by rearranging classical Chinese texts (Hakubun) according to Japanese word order, using kanji characters such as kaeriten and okurigana, and adding hiragana for particles and auxiliary verbs.
It is a method of making the original text readable directly as Japanese, and is also called kakikudashi-bun (書き着下文).
Wikipedia +2
AI-generated summary
Hiragana are a unique Japanese syllabic script (kana) created by simplifying the cursive form of kanji. Derived from Man'yōgana during the Heian period, they were primarily used in women's literature and letters. In modern Japanese, they are used for particles, auxiliary verbs, native words, and okurigana (suffixes), and are characterized by their rounded script that forms the basis of writing.
Kokugakuin University +4
AI-generated summary
"Hakubun" refers to the original classical Chinese text composed solely of Chinese characters, without any diacritical marks, suffixes, or punctuation. It is a "raw" text where the reader must independently fill in the reading and grammatical structure, and is mainly found in original classical texts and exam questions. Conversely, when diacritical marks are added to this text to allow it to be read in Japanese word order, it is called a "kundokubun" or "kakikudashibun."
Keiso Cram School +6
[※日本では漢文を読むとき読み下し文という伝統が]
[※In Japan, there is a tradition of using Yomikudashi-bun when reading classical Chinese texts.]
Beforelaunching the "Great Leap Forward" to establish China's own unique path, Mao Zedonginitiated a large-scale movement called "Hundred Schools of Thought" (Hundred Schools Contesting)under government leadershipto gather hints for concrete plans that would align with that path.
あんど。
2014/03/09 18:00
"Mao Zedong's China was established in 1949, four years afterJapan's defeat. Immediately afterward, Mao Zedong's Chinasigned a Treaty of Friendship and Alliance with the Soviet Union, but relations between the two countries soon became strained. Eventually, they were practically severed, and around 1956, Mao Zedongbroke tieswithSoviet-style socialist construction and put forward ②a unique Chinese line. However, despite being a unique line, there were no ⑤concrete plans to match it. For the time being, the Mao Zedong line consisted of converting existing villages into "people's communes" and encouraging production ③to achieve the "Great Leap Forward." Both of thesefailed.
In any case, ④before that, ①Mao Zedong⑨launched⑦a large-scale movement called "百家争鳴" ⑥to get hints on what the new policy should be. It was carried out ⑧under government leadership. Amidst repeated calls of the couplet "百花斉放" and "百家争鳴," the movementreached as far asHohhot in the frontier region whereTsebekma-san and otherslived.
①Mao Zedong put forward ②a unique Chinese line③to achieve the "Great Leap Forward④before that, ⑤concrete plans to match it⑥to get hints on⑦a large-scale movement called "百家争鳴"⑧under government leadership⑨launched
This is one of the films featured on the website “Film IS a Document: NFAJ Historic Film Portal” (a joint project of the National Film Archive of Japan and the National Institute of Informatics) which streams a selection of titles from the NFAJ film collection with initial focus on cultural and documentary films.
Ashio koshinkyoku (1933)
Produced by Shimizu Film Productions.
16 minutes, b/w, silent.
Courtesy: Shigeru Aoki, Ashio Tourism Division of Nikko City, Furukawa Ashio Museum of History.
The first edition of this site presents 87 titles featuring a variety of topics and shooting locations. The selection includes documentaries of the Russo-Japanese War, educational films focusing on science, sports and tourism produced by the Ministry of Education, industrial and regional promotional films produced by local governments and corporations, and rich footage of imperial events and military exercises. NFAJ plans to keep adding new titles to the site regularly. Please visit the site at https://filmisadocument.jp.
"【全篇】『実寫 三井本館竣工記念』1929年｜「フィルムは記録する」より ‘Film IS a Document NFAJ Historic Film Portal’"
This is one of the films featured on the website “Film IS a Document: NFAJ Historic Film Portal” (a joint project of the National Film Archive of Japan and the National Institute of Informatics) which streams a selection of titles from the NFAJ film collection with initial focus on cultural and documentary films.
Sekiyu no Nihon: Nihon Sekiyu Kabushikigaisha jigyo gaikan (1928)
Produced by Cutural Film Productions.
60 minutes, b/w, silent.
Courtesy: Eneos Corporation.
The first edition of this site presents 87 titles featuring a variety of topics and shooting locations. The selection includes documentaries of the Russo-Japanese War, educational films focusing on science, sports and tourism produced by the Ministry of Education, industrial and regional promotional films produced by local governments and corporations, and rich footage of imperial events and military exercises. NFAJ plans to keep adding new titles to the site regularly. Please visit the site at https://filmisadocument.jp.
で。2025120805:48(日本時間)。
"【秋田県鹿角市】未だ知られぬ秘境の地 #shorts #日本の絶景"
"【(PR)kazuno city,Akita Prefecture】Legend of hachiro-taro Dragon Line【Full version】"
１．おれは布袋さんになりたかった。 ２．ギターを弾いてて楽しいのはheaven's blue。 ３．dig the new breedというか、ピーター・バラカンさんのラジオでのbbcのが、凄く、特にall mod cons から david への流れがもう、です。 4.最初にビックリしたのは日本の映画(たしか獄門島)の主題歌だったlet it beです。
This was a movement originating fromthe party's top position, with the ultimate authority being Lu Dingyi, the head of the party's propaganda department, who acted onMao Zedong's orders. Essentially, it was a call to use one's ingenuityfor the sake of the Communist Party. Prior to this, the Chinese Communist Partyhadharshly criticized various ideologiesasbourgeois. As a result, China's academic, artistic, and literary circles had become stifled, and everyone spent their days merely outwardly obedient tothe party. The party sought to breakthisatmosphere.
As a result, China's academic, artistic, and literary circles withered away, and everyone spent their days merely outwardly obeying the party.
As a result, China's academic, artistic, and literary circles have completely declined, and everyone spends their days merely outwardly obeying the party.
As a result, the academic, artistic, and literary worlds of China have completely declined, and everyone spends their days merely outwardly obeying the party.
As a result, China's academic, artistic, and literary circles became utterly corrupt, and everyone spent their days merely outwardly obeying the party.
As a result, China's academic, artistic, and literary circles have fallen into complete decline, and everyone spends their days merely outwardly obeying the party.
The party tried to break that atmosphere.
My father tried to break that atmosphere.
My father tried to break that atmosphere.
Milk tried to break through that air.
Tou tried to break that atmosphere.
Mune tried to break that atmosphere.
The questioner tried to break that atmosphere.
Visitor U tried to break that atmosphere.
Tou tried to break that atmosphere.
At that point, he tried to break that atmosphere.
The tower tried to break through that atmosphere.
Tang tried to break that atmosphere.
Sugar tried to break through that air.
Soba tried to break the tension.
Heaven tried to break through that atmosphere.
Tou tried to break through that atmosphere.
Ten tried to break the tension.
They tried to break down the partisan and entrenched atmosphere.
They tried to break through that atmosphere by traversing it.
amaterasu kingdom dimensionsⅣ‐35-7-1-督戦/GENESIS CLIMBER ージェネシスクライマーー/超時空要塞マクロス THE FIRST 第1巻；たとえば、昭和46年生れのおれが生まれるずっと前から、誰も見たことがない膨大な作品群(ver.含)がずっと作られてきたとすると、しかも、わざと"劣悪な制作環境の為ミスが多発"や"外部に発注したらとんでもなく酷い仕上がりの(高度な技術でデフォルメを)"を、一番は、やはりおれのためにやりつつ、それが本格的に始動した時期、そしてそれらの制作現場それぞれを一つの現場と考えれば。
This is one of the films featured on the website “Film IS a Document: NFAJ Historic Film Portal” (a joint project of the National Film Archive of Japan and the National Institute of Informatics) which streams a selection of titles from the NFAJ film collection with initial focus on cultural and documentary films.
The second edition of this site presents 40 titles covering the years from 1913 to 1941. With main focus on the works in late 1920s and early 1930s, the selection reflects the growing militarism while portraying matured popular culture. NFAJ plans to keep adding new titles to the site regularly. Please visit the site at https://filmisadocument.jp.
"【全篇】『昭和二年度 陸軍特別大演習 名古屋地方』1927年｜「フィルムは記録する」より ‘Film IS a Document NFAJ Historic Film Portal’"
This is one of the films featured on the website “Film IS a Document: NFAJ Historic Film Portal” (a joint project of the National Film Archive of Japan and the National Institute of Informatics) which streams a selection of titles from the NFAJ film collection with initial focus on cultural and documentary films.
Showa ninendo: Rikugun tokubetsu daienshu Nagoya chiho (1927)
Productions unidentified.
17 minutes, b/w, silent.
The second edition of this site presents 40 titles covering the years from 1913 to 1941. With main focus on the works in late 1920s and early 1930s, the selection reflects the growing militarism while portraying matured popular culture. NFAJ plans to keep adding new titles to the site regularly. Please visit the site at https://filmisadocument.jp.
This is one of the films featured on the website “Film IS a Document: NFAJ Historic Film Portal” (a joint project of the National Film Archive of Japan and the National Institute of Informatics) which streams a selection of titles from the NFAJ film collection with initial focus on cultural and documentary films.
Okimi no miyuki mukaete (1930)
Produced by Shizuoka Prefecture,
24 minutes, b/w, silent.
The second edition of this site presents 40 titles covering the years from 1913 to 1941. With main focus on the works in late 1920s and early 1930s, the selection reflects the growing militarism while portraying matured popular culture. NFAJ plans to keep adding new titles to the site regularly. Please visit the site at https://filmisadocument.jp.
"【全篇】『靖国神社春季大祭』1926年｜「フィルムは記録する」より ‘Film IS a Document NFAJ Historic Film Portal’"
This is one of the films featured on the website “Film IS a Document: NFAJ Historic Film Portal” (a joint project of the National Film Archive of Japan and the National Institute of Informatics) which streams a selection of titles from the NFAJ film collection with initial focus on cultural and documentary films.
Yasukuni Jinja shunki taisai (1926)
Produced by Nippon Katsudoshashin Co., Ltd.
11 minutes, b/w, silent.
The second edition of this site presents 40 titles covering the years from 1913 to 1941. With main focus on the works in late 1920s and early 1930s, the selection reflects the growing militarism while portraying matured popular culture. NFAJ plans to keep adding new titles to the site regularly. Please visit the site at https://filmisadocument.jp.
"【全篇】『蒙古實情 興安嶺を越えて 昭和四年十月』1929年｜「フィルムは記録する」より ‘Film IS a Document NFAJ Historic Film Portal’"
This is one of the films featured on the website “Film IS a Document: NFAJ Historic Film Portal” (a joint project of the National Film Archive of Japan and the National Institute of Informatics) which streams a selection of titles from the NFAJ film collection with initial focus on cultural and documentary films.
Moko jitsujo: Koanrei o koete Showa yonen jugatsu (1929)
Productions unidentified.
13 minutes, b/w, silent.
The second edition of this site presents 40 titles covering the years from 1913 to 1941. With main focus on the works in late 1920s and early 1930s, the selection reflects the growing militarism while portraying matured popular culture. NFAJ plans to keep adding new titles to the site regularly. Please visit the site at https://filmisadocument.jp. from 国立映画アーカイブ National Film Archive of Japanさんのyoutubeチャンネル。
"01 Directions (1969 Miles - Festiva de Juan Pins)"
"02 Miles Runs The Voodoo Down (1969 Miles - Festiva de Juan Pins)"
"03 Milestones (1969 Miles - Festiva de Juan Pins)"
"04 Footprints (1969 Miles - Festiva de Juan Pins)"
"05 Round About Midnight (1969 Miles - Festiva de Juan Pins)"
"06 It's About That Time (1969 Miles - Festiva de Juan Pins)"
"07 Sanctuary/The Theme (1969 Miles - Festiva de Juan Pins)"
◆1969 Miles: Festiva de Juan Pins is a live album by Miles Davis recorded at the jazz festival in La Pinède, Juan-les-Pins, Antibes, France, as an ORTF radio broadcast.
Featuring saxophonist Wayne Shorter, pianist Chick Corea, bassist Dave Holland, and drummer Jack DeJohnette, this line-up became known as "The Miles Davis Lost Quintet" as it did not record in the studio in this configuration.
They performed twice at the Juan-les-Pins Festival, July 25 and 26. Columbia recorded both shows, but the music would not be released in its entirety until 2013. Music from this CD, which was recorded at the July 25 concert, and from the July 26 performance was included in the 2013 box set Live in Europe 1969: The Bootleg Series Vol. 2.
◆Bitches Brew is a studio album by the American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded from August 19 to 21, 1969, at Columbia's Studio B in New York City and released on March 30, 1970, by Columbia Records. It marked his continuing experimentation with electric instruments that he had featured on his previous record, the critically acclaimed In a Silent Way (1969). With these instruments, such as the electric piano and guitar, Davis departed from traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation. The final tracks were edited and pieced together by producer Teo Macero.
The album initially received a mixed critical and commercial response, but it gained momentum and became Davis' highest-charting album on the U.S. Billboard 200, peaking at No. 35. In 1971, it won a Grammy Award for Best Large Jazz Ensemble Album. In 1976, it became Davis' first gold album to be certified by the Recording Industry Association of America.
In subsequent years, Bitches Brew gained recognition as one of jazz's greatest albums and a progenitor of the jazz rock genre, as well as a major influence on rock and '70s crossover musicians. In 1998, Columbia released The Complete Bitches Brew Sessions, a four-disc box set that includes the original album and previously unreleased material. In 2003, the album was certified platinum, reflecting shipments of one million copies.
Background and recording
By 1969, Davis' core working band consisted of Wayne Shorter on soprano saxophone, Dave Holland on bass, Chick Corea on electric piano, and Jack DeJohnette on drums. The group, minus DeJohnette, recorded In a Silent Way (1969), which also featured Joe Zawinul, John McLaughlin, Tony Williams, and Herbie Hancock. The album marked the beginning of Davis' "electric period", incorporating instruments such as the electric piano, guitar, and jazz fusion styles. For his next studio album, Davis wished to explore his electronic and fusion style even further. While touring with his five-piece from the spring to August 1969, he introduced new pieces for his band to play, including early versions of what became "Miles Runs the Voodoo Down", "Sanctuary", and "Spanish Key". At this point in his career Davis was influenced by contemporary rock and funk music, Zawinul's playing with Cannonball Adderley, and the work of English composer Paul Buckmaster.
In August 1969, Davis gathered his band for a rehearsal, one week prior to the booked recording sessions. As well as his five-piece, they were joined by Zawinul, McLaughlin, Larry Young, Lenny White, Don Alias, Juma Santos, and Bennie Maupin. Davis had written simple chord lines, at first for three pianos, which he expanded into a sketch of a larger scale composition. He presented the group with some "musical sketches" and told them they could play anything that came to mind as long as they played off of his chosen chords. Davis had not arranged each piece because he was unsure of the direction the album was to take; he wanted whatever was produced to come from an improvisational process, "not some prearranged shit."
Davis booked Columbia's Studio B in New York City from August 19–21, 1969. The session on August 19 began at 10 a.m., the band playing "Bitches Brew" first. Everyone was set up in a half-circle with Davis and Shorter in the middle. In Lenny White’s words:
"It was like an orchestra, and Miles was our conductor. We wore headphones. We had to be able to hear each other. There were no guests at that session. No photos allowed. But there was one guest that nobody talked about, Max Roach. All live recording, no overdubs. 10 a.m. to 1 p.m., for three days."
— Lenny White,
As usual with Davis' recording sessions during this period, tracks were recorded in sections. Davis gave a few instructions: a tempo count, a few chords or a hint of melody, and suggestions as to mood or tone. Davis liked to work this way; he thought it forced musicians to pay close attention to one another, to their own performances, or to Davis's cues, which could change from moment to moment. On the quieter passages of "Bitches Brew", for example, Davis's voice is audible giving instructions to the musicians, snapping his fingers to indicate tempo, telling the musicians to "Keep it tight" in his distinctive voice, or instructing individuals when to solo — e.g., saying "John" during the title track. "John McLaughlin" and "Sanctuary" were also recorded during the August 19 session. Towards the end the group rehearsed "Pharaoh's Dance".
Despite his reputation as a "cool," melodic improviser, much of Davis' playing on this album is aggressive and explosive, often playing fast runs and venturing into the upper register of the trumpet. His closing solo on "Miles Runs the Voodoo Down" is particularly noteworthy in this regard. Davis did not perform on the short piece "John McLaughlin".
Album title
It is not known where the album title came from, and there are various theories as to where it originates. Some believe it was a reference to women in Davis' life who were introducing him to cultural changes in the '60s. Other explanations have been given.
Post-production
Significant editing was made to the recorded music. Short sections were spliced together to create longer pieces, and various effects were applied to the recordings. Paul Tingen reports:
Bitches Brew also pioneered the application of the studio as a musical instrument, featuring stacks of edits and studio effects that were an integral part of the music. Miles and his producer, Teo Macero, used the recording studio in radical new ways, especially in the title track and the opening track, "Pharaoh's Dance". There were many special effects, like tape loops, tape delays, reverb chambers and echo effects. Through intensive tape editing, Macero concocted many totally new musical structures that were later imitated by the band in live concerts. Macero, who has a classical education and was most likely inspired by '50s and '60s French musique concrète experiments, used tape editing as a form of arranging and composition. "Pharaoh's Dance" contains 19 edits – its famous stop-start opening is entirely constructed in the studio, using repeat loops of certain sections. Later on in the track there are several micro-edits: for example, a one-second-long fragment that first appears at 8:39 is repeated five times between 8:54 and 8:59. The title track contains 15 edits, again with several short tape loops of, in this case, five seconds (at 3:01, 3:07 and 3:12). Therefore, Bitches Brew not only became a controversial classic of musical innovation, it also became renowned for its pioneering use of studio technology.
Though Bitches Brew was in many ways revolutionary, perhaps its most important innovation was rhythmic. The rhythm section for this recording consists of two bassists (one playing bass guitar, the other double bass), two to three drummers, two to three electric piano players, and a percussionist, all playing at the same time. As Paul Tanner, Maurice Gerow, and David Megill explain, "like rock groups, Davis gives the rhythm section a central role in the ensemble's activities. His use of such a large rhythm section offers the soloists wide but active expanses for their solos."
Tanner, Gerow and Megill further explain that
"the harmonies used in this recording move very slowly and function modally rather than in a more tonal fashion typical of mainstream jazz.... The static harmonies and rhythm section's collective embellishment create a very open arena for improvisation. The musical result flows from basic rock patterns to hard bop textures, and at times, even passages that are more characteristic of free jazz."
The solo voices heard most prominently on this album are the trumpet and the soprano saxophone, respectively of Miles and Wayne Shorter. Notable also is Bennie Maupin's bass clarinet present on four tracks.
The technology of recording, analog tape, disc mastering, and inherent recording time constraints had, by the late sixties, expanded beyond previous limitations and sonic range for the stereo vinyl album, and Bitches Brew reflects this. Its long-form performances include improvised suites with rubato sections, tempo changes or the long, slow crescendo more common to a symphonic orchestral piece or Indian raga form than the three-minute rock song. Starting in 1969, Davis' concerts included some of the material that would become Bitches Brew.
Release
Bitches Brew was released in March 1970. It gained commercial momentum for the next four months and peaked at No. 35 on the U.S. Billboard 200 for the week of July 4, 1970. This remains Davis' 2nd best performance on the chart behind Kind of Blue which has peaked at #3 on Vinyl and #12 in 2020. On September 22, 2003, the album was certified platinum by the RIAA for selling one million copies in the U.S.
In addition to the standard stereo version, the album was also mixed for quadraphonic sound. Columbia released a quad LP version, using the SQ matrix system, in 1971. Sony reissued the album in Japan in 2018 on the Super Audio CD format containing both the complete stereo and quadraphonic mixes.
Reception and legacy
Reviewing for Rolling Stone in 1970, Langdon Winner said Bitches Brew shows Davis' music expanding in "beauty, subtlety and sheer magnificence", finding it "so rich in its form and substance that it permits and even encourages soaring flights of imagination by anyone who listens". He concluded that the album would "reward in direct proportion to the depth of your own involvement". Village Voice critic Robert Christgau deemed it "good music that's very much like jazz and something like rock", naming it the year's best jazz album and Davis "jazzman of the year" in his ballot for Jazz & Pop magazine. Years later, he had lost some enthusiasm about the album; in Christgau's Record Guide: Rock Albums of the Seventies (1981), he called Bitches Brew "a brilliant wash of ideas, so many ideas that it leaves an unfocused impression", with Tony Williams' steadier rock rhythms from In a Silent Way replaced by "subtle shades of Latin and funk polyrhythm that never gather the requisite fervor". He concluded that the music sounded "enormously suggestive, and never less than enjoyable, but not quite compelling. Which is what rock is supposed to be."
Selling more than one million copies since it was released, Bitches Brew was viewed by some writers in the 1970s as the album that spurred jazz's renewed popularity with mainstream audiences that decade. As Michael Segell wrote in 1978, jazz was "considered commercially dead" by the 1960s until the album's success "opened the eyes of music-industry executives to the sales potential of jazz-oriented music". This led to other fusion records that "refined" Davis' new style of jazz and sold millions of copies, including Head Hunters (1973) by Herbie Hancock and George Benson's 1976 album Breezin'. Tom Hull, who would later become a jazz critic, has said, "Back in the early '70s we used to listen to Bitches Brew as late night chill-out music – about the only jazz I ran into at the time." According to independent scholar Jane Garry, Bitches Brew defined and popularized the jazz fusion genre, also known as jazz-rock, but it was hated by a number of purists. Jazz critic and producer Bob Rusch recalled, "This to me was not great Black music, but I cynically saw it as part and parcel of the commercial crap that was beginning to choke and bastardize the catalogs of such dependable companies as Blue Note and Prestige.... I hear it 'better' today because there is now so much music that is worse." Despite the controversy the album stirred among the jazz community, it nonetheless topped DownBeat's annual critics' poll in 1970.
The Penguin Guide to Jazz called Bitches Brew "one of the most remarkable creative statements of the last half-century, in any artistic form. It is also profoundly flawed, a gigantic torso of burstingly noisy music that absolutely refuses to resolve itself under any recognized guise." In 2003, the album was ranked number 94 on Rolling Stone magazine's list of the 500 greatest albums of all time. Nine years later, it went down one spot. In the 2020 list, it climbed to number 87. Along with this accolade, the album has been ranked at or near the top of several other magazines' "best albums" lists in disparate genres.[citation needed] The album was also included in the book 1001 Albums You Must Hear Before You Die.
Experimental jazz drummer Bobby Previte considered Bitches Brew to be "groundbreaking": "How much groundbreaking music do you hear now? It was music that you had that feeling you never heard quite before. It came from another place. How much music do you hear now like that?" Thom Yorke, singer of the English rock band Radiohead, cited it as an influence on their 1997 album OK Computer: "It was building something up and watching it fall apart, that's the beauty of it. It was at the core of what we were trying to do." The singer Bilal names it among his 25 favorite albums, citing Davis' stylistic reinvention. Rock and jazz musician Donald Fagen criticized the album as "essentially just a big trash-out for Miles ... To me it was just silly, and out of tune, and bad. I couldn't listen to it. It sounded like [Davis] was trying for a funk record, and just picked the wrong guys. They didn't understand how to play funk. They weren't steady enough."
Track listing
Side one (No./Title/Writer(s)/Recording date/Length)
1. "Pharaoh's Dance" Joe Zawinul August 21, 1969 20:07
Side two (No./Title/Writer(s)/Recording date/Length)
1. "Bitches Brew" Miles Davis August 19, 1969 27:00
Side three (No./Title/Writer(s)/Recording date/Length)
1. "Spanish Key" Davis August 21, 1969 17:30
2. "John McLaughlin" Davis August 19, 1969 4:23
Side four (No./Title/Writer(s)/Recording date/Length)
1. "Miles Runs the Voodoo Down" Davis August 20, 1969 14:03
2. "Sanctuary" Wayne Shorter August 19, 1969 10:54
Total length: 93:57
1999 CD reissue bonus track (No./Title/Writer(s)/Recording date/Length)
7. "Feio" Shorter January 28, 1970 11:51
Personnel
Musicians
"Bitches Brew"
"John McLaughlin" (omit Brooks, Shorter and Davis)
"Sanctuary" (omit McLaughlin, Maupin, Brooks and White)
・Miles Davis – trumpet
・Wayne Shorter – soprano saxophone
・Bennie Maupin – bass clarinet
・Joe Zawinul – electric piano (left)
・Chick Corea – electric piano (right)
・John McLaughlin – electric guitar
・Dave Holland – bass
・Harvey Brooks – electric bass
・Lenny White – drum set (left)
・Jack DeJohnette – drum set (right)
・Don Alias – congas
・Juma Santos (credited as "Jim Riley") – shaker, congas
・Memo from producer asking for advice about the title. from wiki.
レディオヘッドゴミ処刑。
and
◆The Complete Bitches Brew Sessions is a four-disc box set by jazz trumpeter Miles Davis compiling recordings between August 19, 1969, and February 6, 1970—including the 1970 double album Bitches Brew in its entirety—and released on Columbia/Legacy on November 24, 1998.
Background
The title of the box set is somewhat of a misnomer: outside of the Bitches Brew tracks themselves, none of the other tracks were recorded during the same August 1969 sessions that resulted in Bitches Brew. Furthermore, additional material recorded for, but not used in Bitches Brew (mainly rehearsal takes and unedited performances of the six album tracks), is not included in this set.
When questioned by Paul Tingen why most of the material in fact was not recorded either for or at the same sessions as the original album, re-issue producer Bob Belden clarified how the team's thought process went. According to him and the engineer, all the songs Miles Davis recorded between August 1969 and early February 1970 used very similar line-ups to those on Bitches Brew, and the main thing they all had in common was the emphasis on keyboards. Every song in the set includes two to three keyboard players, most often Chick Corea, Joe Zawinul and Herbie Hancock. It was not until late February 1970 that Davis refined his concept by dropping the multiple electric pianists for a more guitar-heavy sound. Those following sessions were collected on The Complete Jack Johnson Sessions.
The box set includes some tracks that had never been previously released, one of which, the Wayne Shorter composition "Feio," has since appeared as a bonus track on late compact disc reissues of Bitches Brew. A few of the other tracks in the box set had previously appeared on the albums Live-Evil, Big Fun, and Circle in the Round.
The Complete Bitches Brew Sessions is number "6" in a series of Miles Davis box sets issued by Columbia/Legacy (the numbering scheme refers to the chronological order of the original recordings, not the release order of the box sets themselves). The set was reissued on 11 May 2004 with new packaging. Mosaic Records released the 6 LP set.
Reception
The AllMusic review by critic John Bush states:
The music is simply fabulous—the simultaneous birth and peak of jazz-rock/fusion, with a host of major players (John McLaughlin, Chick Corea, Joe Zawinul, Wayne Shorter, Jack DeJohnette) and many innovations.... Though the unreleased selections are distinctly inferior to those released on Bitches Brew, "Yaphet," "Corrado," and "Trevere" are intriguing jam sessions that reveal much about the creative process between Davis and producer Teo Macero during recording.... The music here is another glowing testament to Miles' importance to the development of jazz in 1969, as in 1949.
Track listing
All songs written by Miles Davis, except where noted.
Disc one (No./Title/Writer(s)/Original release/Length)
1. "Pharaoh's Dance" Joe Zawinul Bitches Brew 20:06
2. "Bitches Brew" Bitches Brew 26:58
3. "Spanish Key" Bitches Brew 17:34
4. "John McLaughlin" Bitches Brew 4:22
Disc two (No./Title/Writer(s)/Original release/Length)
1. "Miles Runs the Voodoo Down" Bitches Brew 14:01
2. "Sanctuary" Wayne Shorter Bitches Brew 10:56
3. "Great Expectations" DavisZawinul Big Fun 13:45
4. "Orange Lady" ZawinulBig Fun 13:50
5. "Yaphet" Big Fun*[α] 9:39
6. "Corrado" †[β] 13:11
Disc three (No./Title/Writer(s)/Original release/Length)
1. "Trevere" Big Fun*[α] 5:55
2. "The Big Green Serpent" †[β] 3:35
3. "The Little Blue Frog" (alternate take) †[β] 12:15
4. "The Little Blue Frog" Big Fun'*[α] 9:09
5. "Lonely Fire" Big Fun 21:09
6. "Guinnevere" David Crosby Circle in the Round 21:07
Disc four (No./Title/Writer(s)/Original release/Length)
This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (September 2023) (Learn how and when to remove this message)
Collective listing for all recording sessions.
・Miles Davis – Trumpet, Vocals
・Don Alias – Percussion, Conga, Drums
・Khalil Balakrishna – Sitar
・Harvey Brooks – Bass, Electric bass
・Ron Carter – Bass
・Billy Cobham – Drums, Triangle
・Chick Corea – Electric piano
・Jack DeJohnette – Drums
・Steve Grossman – Soprano saxophone
・Herbie Hancock – Electric piano
・Dave Holland – Bass, Electric bass
・Bennie Maupin – Bass clarinet
・John McLaughlin – Electric guitar
・Airto Moreira – Berimbau, Cuíca, Percussion
・Bihari Sharma – Tabla, Tamboura
・Wayne Shorter – Soprano saxophone
・Juma Santos (Jim Riley) – Conga, Shaker
・Lenny White – Drums
・Larry Young – Organ, Celeste, Electric piano
・Joe Zawinul – Electric piano
・Frank Laico – Engineer [Original Recording] (tracks: 2–3 to 2–6)
・Stan Tonkel – Engineer [Original Recording] (tracks: 1-1 to 2–2, 3–1 to 4–5) from wiki.
で。2024052108:21(日本時間)。
"【公式】『ちいかわ』第169話「ピクニック②」※1週間限定配信＜528 (火)AM759まで＞"
で。2024052206:44(日本時間)。
で。2026042608:30(日本時間)。
and
"01 DANCING IN THE DARKNESS"
"02 ROUGE OF GRAY"
"03 わがままジュリエット"
"04 PLASTIC OCEAN"
"05 JUSTY"
"06 JUST A HERO (1986.04.11 “JUST A HERO TOUR” 埼玉会館)"
"07 LABEL OF COMPLEX"
"08 MISS MYSTERY LADY"
"09 BLUE VACATION"
"10 LIKE A CHILD"
"11 MERRY BLUE X'MAS"
"12 DANCING IN THE PLEASURE LAND"
"13 わがままジュリエット"
"14 わがままジュリエット (1986.12.10 "ROCK'N ROLL CIRCUS TOUR" 日本武道館)"
"15 JUSTY"
"16 JUSTY"
"17 JUSTY (1986.05.04 "中京テレビ ROCK WAVE86'" 名古屋港ガーデン埠頭)"
◆Hundred Flowers Campaign: A movement advocated by the Communist Party of China in early 1956-57 to encourage free expression in various fieldssuch asscholarship, thought, culture, and art.
On May 2, 1956, Mao Zedongproposed "long-term coexistence and mutual supervision" between the Communist Party and democratic parties at the Supreme State Council.
(1) Guarantee of freedom of free discussion, creation, criticism, and expression of opinions for the development of scholarship.
(2) Elimination of bias that equates culture, art, and politics.
(3) Avoidance of resolving ideological issuesthrough administrative orders.
At the Eighth National Congress in September, Vice Chairman Liu Shaoqi stated in his political report that for the development of science and art, it is necessary to freely discuss and competeunder the "Hundred Flowers Campaign" policy, and that guidance should not be provided through administrative orders. Mao Zedong also emphasized (omitted) "to speak boldly, criticize, debate, not be afraid of wrong arguments, not be afraidof poisonous things, and toactively engagein mutual debateandcriticism."
AI-generated summary
Bias refers to a bias in thinking or reporting, or the (intentional?) physical bending of the direction of a beam of light, such as an electron beam. Socially, it refers to bias in ideology or reporting; technically, it refers to coils in electronic devices, and is often used in a negative context, such as "biased reporting" or "biased opinion."
University of Tokyo Newspaper Online +3
Main meanings and usage
・Bias in thinking: A lack of neutrality due to a bias towards a particular position or ideology.
◦Example: Biased reporting, conservative bias.
・Physical direction change: Changing the direction of a beam of light, such as an electron beam, using an electromagnetic field.
◦Example: Deflection coil (CRT television, etc.).
Information, knowledge & opinion imidas +2
Background of "biased reporting"
In the media, "bias" can refer to information manipulation by news organizations with specific political intentions, and is often a topic of discussion when the credibility of the media is questioned.
University of Tokyo Newspaper Online +1
・Cause: Beyond the intentions of the media, a significant factor is the "demand side"—the preference for news that supports one's own worldview.
In the fields of physics and electronics, the "deflection" effect, which changes the direction of electron beams by applying electric or magnetic fields, has been used in devices such as CRTs (cathode ray tubes) and oscilloscopes.
AI-generated summary
Prejudice is an unfavorable preconception, assumption, or biased view held towards a particular individual or group without objective evidence. Typical examples include having uniform images of race, gender, appearance, occupation, blood type, etc., and it carries the risk of leading to discrimination and disadvantageous treatment.
Adachi Ward Official Website +2
Main Characteristics and Details of Prejudice
・Definition: A "stereotype" that, accompanied by emotional elements, manifests as an unfavorable attitude.
・Unconscious bias: Prejudice held without conscious awareness, existing within everyone and shaped by experience and cultural background.
・Specific examples:
◦Gender role stereotypes ("Men work, women stay home").
◦Judgments based on appearance, age, or place of origin ("Blonde hair = frivolous," "Young people = inexperienced").
・Difference from discrimination: Prejudice is an "inner attitude," while discrimination is its manifestation as "action."
・Approach: It's important to acknowledge your own biases, make judgments based on facts, and respect diverse values.
Wikipedia +7
Because bias worsens relationships and hinders fairness, self-awareness is essential.
Appassionata +1
AI Overview
Bias refers to "biases," "preconceptions," and "prejudices" in thinking and data, where objective and rational judgment is distorted by unconscious assumptions. Specific examples include confirmation bias (gathering only information that supports one's own beliefs) and normalcy bias (underestimating abnormal situations). These require careful consideration in business and daily decision-making. Synonyms include prejudice, preconception, fixed idea, inclination, and distortion.
Kaonavi +5
Specific Usage Examples and Expressions
・"That opinion is biased (contains preconceived notions)."
・"The data exhibits selection bias (statistical bias)."
・"Eliminate bias and make a calm judgment."
・"Fall into psychological bias."
Wikipedia +2
Specific Usage Examples and Expressions
Representative Types of Biases
・Confirmation Bias: The tendency to gather only information that reinforces one's own beliefs.
・Normalcy Bias: The psychology of underestimating a crisis, such as during a disaster, by thinking "I'll be fine."
・Unconscious Bias: "Unconscious bias" towards gender, age, occupation, etc.
・Survivor Bias: The tendency to focus only on success stories and ignore failure stories.
ALL DIFFERENT +3
Business and Everyday Life Strategies
Bias is a natural psychological reaction that occurs in everyone, but in business, it can lead to unfair evaluations and irrational decision-making. Recommended countermeasures include making judgments based on objective data, incorporating diverse perspectives, and being aware of one's own biases (metacognition).
amaterasu kingdom dimensionsⅣ‐39-1-※で、つかぬ事聞くけど、こないだの『恐怖新聞』送り付けてやりましたって河野太郎ゴミ処刑のこと？問題大有りの挙動になってるけどゴミズは処刑ズ。河野家とは一切無関係。で。2024091716:57(日本時間)。月刊TACTICS No.34 '86/3 特集 AIR WAR AIR FORCE etc. 天翔ける駒たちⅡ SPIゲーム "マレンゴの戦い" 1-66ページ。
The movement was based on the idea of "Say anything. Let everyone express their opinions," but the party intended it as a movement to encourage the generation of diverse opinions to be used for the active construction of socialism, and had no intention of allowing it to deviate from the line of party control. However, in the initial stages, the party did not set any limits, so people mistook it for "liberalization," and fierce debates erupted in various places and fields.
Most of themcriticizedtheParty, and even the milder ones repeatedly filed complaints and petitions. Thepanickedpartyhad to quickly extinguish the flames of criticism. Soon after, the Hundred Flowers Campaignwas withdrawn, replaced by a new slogan, the "Anti-RightistCampaign," and the Hundred Flowers, whohad previously sympathized with the Communist Party's views and actively debated, were suppressed.
Depending on the perspective from which you look at it, it could be seen as a way to expose the "right wing" within the "masses" by letting them say whatever they wanted, and then having the "masses" expose and eliminatethose same people.
amaterasu kingdom dimensionsⅣ‐3-8-1-◆『五分後の世界』（ごふんごのせかい）は、村上龍の小説。幻冬舎から1994年3月に刊行された。第二次世界大戦から現代に至るまで米軍を中心とする連合軍と戦争を継続している平行世界の日本を描くことで、現代日本に対する強烈なメッセージを秘めた作品である。村上龍はあとがきにおいて「最高のものになった」としているように、作者の代表的な「看板作品」である。作品中の日本国土の分割統治については、日本の分割統治計画をベースとしていると思われるが、中国とイギリスの支配計画地域が変更（イギリスが四国地方、中国が西九州）されている。あらすじ。箱根でジョギングをしていたはずの小田桐はふと気がつくと、どこだか解らない場所を集団で行進していた。そこは5分のずれで現れた「もう一つの日本」だった。「もう一つの日本」は地下に建設され、人口はたった26万人に激減していたが、第二次世界大戦終結後も民族の誇りを失わず、駐留している連合国軍を相手にゲリラ戦を繰り広げていた。from wiki.で、密出国さておき、言葉を知ってると聞き取れるはあるね(笑)。※今の日本国の首相は？2023012617:40(日本時間)。４:40"そんなことより、岸田総理"(笑)。2023080115:15(日本時間)。1月 15, 2024 amaterasu kingdom dimensionsⅢ‐5-4。1月 27, 2023 で。2023012617:21(日本時間)。 『オーガロイド』の格闘とはドッグファイトという認識でしょうか？5月 25, 2019 Tuesday, 2 July 2013 annual income From 1695 to the Meiji Restoration in 1868、nine "KOBAN" recasts were carried out. Most of them (seven times)、it was to reduce the content. As result、when the last recast in 1860、1 ryō became the weight of one-fifth on first. And gold content was als...
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